Love by Natalia Różycka brings the subtle and fluid shades of queer relationships to life. Even though Różycka shows abstract and fluid shapes and forms, the work is narrative.

Michal Young plays with the vintage iconography of a gay erotic gaze that shaped Young’s own coming of age times in the late 80s and 90s. One collage shows two fragmented excerpts of vintage gay calendars in a subtle interplay of positive and negative space.

Irina Dmitrovskaya investigates views on her own sexuality, othered as queer sexuality from the outside. She shows an interplay of closeness and distance, of fragmentation and framing.

Evidence of My Sexual Misdemeanor is a precise and conceptual photographic dissection of the experience of forced visibility. The Turkish military forces gay men to out themselves in a, by definition, hostile environment.

Sara Davidmann takes a narrative approach and works with sentimental and personal found footage. She tells the story of K, a hidden trans biography in her own family history.

In a formal act of autonomy, Awuor Onyango, Mal Muga and Namikoye Wanjala decided to defy the regulations of the call for single projects and applied as a group with three aesthetically very different projects addressing questions of visibility and queer solidarity.

Margaret Liang’s subjects, including the artist, claim their space with a calm yet determined focus. Instruments of creating a self-determined body image appear as highly stylised icons of resolution.

Alien’s Bodybuilders are living and breathing artworks. Alien gives a bright and vivid exclusive into queer performance cultures from the UK.

Asafe Ghalib’s work sets a powerful stage for an intersectionally discriminated against community. Ghalib’s expressive monochrome portraiture is warm and dramatic.

Andrés Gregorio Pérez Dead Family series is an autobiographical and collaborative intervention into censored queer childhood memory.