The series House of Realness raises the question of agency and representation through stereotypical imagery and expectations of specifically gay queerness in the townships of Johannesburg, but also creates space for new, heroic imaginations.

Kuln'zu's portrait series shows young queer people from the cultural scene of Nairobi (Kenya), visionary heroes who create spaces for visibility and representation in a powerful cultural and artistic practice.

Chantal Regnault's series is iconic. She gives us heroes that continue to echo and reverberate around the world. Ballroom is held up as a place of self-realization, of protection, of family of choice, but also of courage.

“Hors-Jeu” is a French pun on the offside rule in football, literally “out of the game”, paired with a Turkish phrase meaning “queer people are everywhere.” This juxtaposition reflects the paradox at its core: queer communities in Turkey are systematically pushed to the margins, yet remain present across all social and geographic spaces.

The project follows Betty, who lives between concealment and emergence, navigating a reality shaped by transition, fear, and survival. These objects do not appear as incidental props, but as carriers of meaning, material condensations of self-assurance, protection and inner orientation.

TOPS explores the vulnerability inherent in processes of bodily and subjective transformation, focusing on individuals who have undergone top surgery. Through a combination of group and individual portraits, as well as interior settings, the work traces moments of transition in which identity is continuously unraveling and re-forming.

Is He Family? is a collaborative body of work created with Neil, the artist’s former drama teacher and now friend. The project takes its title from coded language once used within queer communities, where phrases such as “are they family?” functioned as signals of recognition, safety, and solidarity in contexts where openly queer existence carried...

Held by Each other: Community care and Queer Survival in Nigeria reflects many different forms of holding each other, rooted in Nigeria but also transcending geographically and culturally constrained spaces. It speaks to a search for sanctuary, for closeness in distance and for a sense of family within diverse constellations, universal longings that take shape...

What has become of the people portrayed in Ali Mahini’s series Prince of Persia in the months since encountering the work, whether they are still alive, remains unknown. Nor do we know the current state of the park that served as their place of gathering. Concrete information from within and about Iran is, at present,...

We are deeply moved by Tania Navarro’s story, as well as by the strength, resilience and joy of life reflected in the eyes captured by Luca Gaetano Pira in his documentary series.

Sergei Stroitelev’s series is carried by cool, subdued tones and soft light. Interiors and carefully placed objects interact and become carriers of emotion. A sense of being held unfolds, located not only in interpersonal relationships but also in objects and letters that store and transmit memory.

Bienyl Huelgas shows a poetic visual language of mythic imagery and written thought, presenting the notion of holding each other not only between individuals but as a collective structure: a shared carrying of pain, memory and desire within a community that stabilizes itself.