林家夯 Lin jaihang

Zsa Zsa Zsu (perspectives: male · Taiwan, based in Taipei)

Jury Statement

林家夯 Lin Jaihang shows a fragile interplay of familiarity, desire and care through gestures of physical closeness. His photographs are tender and playful, characterized by light, warmth, and intimacy. In a darkening present, they offer a perspective that reminds us of the possibility of beauty in closeness.

 

Zsa Zsa Zsu

“I know he’s a jerk, but for some reason, he just makes me feel that zsa zsa zsu.” With this quote from Sex and the City, Carrie Bradshaw captures the inexplicable, often irrational spark of excitement at the heart of love. This sudden emotional tremor, beyond gender, norms, and logic, forms the conceptual starting point of this photographic series. The work was created in Taiwan between 2022 and 2024, the first country in Asia to legalize same-sex marriage. While this legal milestone marked a significant shift in visibility, long-standing cultural silences around sexuality continue to exert an invisible pressure on queer lives. Within this context, intimate relationships become essential infrastructures of care, offering emotional support and psychological stability. The project is rooted in a personal process of healing. Shaped by experiences of marginalization and bullying due to a non-normative gender expression, the artist approaches this work as a form of gentle counter-narrative. Through encounters with same-sex couples in their domestic environments, the series documents everyday gestures of intimacy, cooking together, resting side by side, adjusting clothing and quiet acts of physical closeness. In the framework of Holding Each Other: Community Care in Times of Crisis, the notion of zsa zsa zsu is reframed as an form of resistance: a shelter found in tenderness, attachment and shared life. The images articulate how care is produced through the smallest gestures, where intimacy becomes a response to social pressure and constraint. Ultimately, the series reflects on love as both intensity and sustaining structure, an everyday practice of holding each other that persists as one of the most resilient forms of quiet resistance.

 

Biography 

林家夯 Lin Jaihang explores intimacy, desire and identity within queer male relationships. By photographing himself and his partners, he captures quiet gestures and fleeting moments that shape love between men. His images move beyond documentation, reflecting on visibility, vulnerability, and the tension between exposure and concealment in queer life. Born in the 1990s, Lin belongs to a generation shaped by Taiwan’s shift from repression toward increasing openness. His works form both personal and collective portraits of this transition, tracing the plurality of queer identities within Taiwan today. In 2023, Lin appeared in HBO’s queer reality dating show Boys Like Boys. In 2024, he was briefly detained while participating in the Nanjing Art Book Fair in China due to his photographic work, prompting international discussion on queer visibility and artistic freedom. Through photography and independent publishing, Lin contributes to a plural narrative of queer existence that affirms self-acceptance and visibility.

Jury Statement

林家夯 / Lin Jaihang macht das fragile Zusammenspiel von Vertrautheit, Begehren und Fürsorge in Gesten körperlicher Nähe erfahrbar. Seine Fotografien verbinden Zartheit mit spielerischer Leichtigkeit, geprägt von zartem Licht, Wärme und Intimität. In einer sich verdunkelnden Gegenwart eine Perspektive, die uns an die Möglichkeit des Schönen in Nähe und berührender Körperlichkeit erinnert.

 

Zsa Zsa Zsu

„I know he’s a jerk, but for some reason, he just makes me feel that zsa zsa zsu.“ Mit diesem Zitat aus Sex and the City beschreibt Carrie Bradshaw den kaum erklärbaren, oft irrationalen Moment von Aufregung im Zentrum von Liebe. Dieser plötzliche emotionale Impuls, jenseits von Geschlecht, Norm und Logik, bildet den konzeptuellen Ausgangspunkt dieser fotografischen Serie. Die Arbeit entstand zwischen 2022 und 2024 in Taiwan, dem ersten Land in Asien, das die gleichgeschlechtliche Ehe legalisierte. Während dieses rechtliche Ereignis einen bedeutenden Wandel der Sichtbarkeit markiert, wirken zugleich weiterhin tief verankerte kulturelle Schweigenstrukturen rund um Sexualität als unsichtbarer Druck auf queere Lebensrealitäten. In diesem Kontext werden intime Beziehungen zu zentralen Infrastrukturen der Fürsorge, die emotionale Unterstützung und psychische Stabilität ermöglichen. Das Projekt ist in einem persönlichen Heilungsprozess verankert. Geprägt von Erfahrungen der Ausgrenzung und des Mobbings aufgrund einer nicht-normativen Geschlechtspräsenz, versteht sich die Arbeit als eine Form sanfter Gegen-Erzählung. In Begegnungen mit gleichgeschlechtlichen Paaren in ihren häuslichen Räumen dokumentiert die Serie alltägliche Gesten der Intimität, gemeinsames Kochen, nebeneinander Ruhen, das Arrangieren von Kleidung und stille körperliche Zuwendung. Im Rahmen von Holding Each Other: Community Care in Times of Crisis wird zsa zsa zsu als Form von Widerstand neu gelesen: als Schutzraum in Zärtlichkeit, Verbundenheit und gemeinsamem Leben. Die Bilder zeigen, wie Fürsorge in kleinsten Gesten entsteht, und wie Intimität zur Antwort auf sozialen Druck und gesellschaftliche Begrenzung wird. Die Serie versteht Liebe schließlich als affektive Intensität ebenso wie als tragende Struktur, als alltägliche Praxis des Sich-Haltens, die sich als eine der widerständigsten Formen leiser Resilienz fortschreibt. Das Zuhause und die Liebe gleichgeschlechtlicher Paare suchen im Grunde nach jenem ursprünglichen „Zsa Zsa Zsu“ – dem Nervenkitzel und der Wärme der Zweisamkeit. Mit diesen Fotografien möchte ich der Welt zeigen, dass unsere Liebe genau wie jede andere ist und dass diese alltägliche Intimität der stärkste Ausdruck von „Holding Each Other“ und unsere zärtlichste Form des Widerstands ist.

 

Biografie

Lin Jaihang beschäftigt sich mit Intimität, Begehren und Identität in queeren, männlichen Beziehungen. Indem er sich selbst und seine Partner fotografiert, hält er stille Gesten und flüchtige Momente fest, die die Liebe zwischen Männern prägen. Seine Bilder gehen über reine Dokumentation hinaus und reflektieren Sichtbarkeit, Verletzlichkeit sowie die Spannung zwischen Offenbarung und Verborgenheit im queeren Leben. Lin wurde in den 1990er Jahren geboren und gehört einer Generation an, die von Taiwans Wandel von Unterdrückung hin zu zunehmender Offenheit geprägt ist. Seine Arbeiten bilden sowohl persönliche als auch kollektive Porträts dieses Übergangs und zeichnen die Vielfalt queerer Identitäten im heutigen Taiwan nach. Im Jahr 2023 trat Lin in der queeren Reality-Dating-Show „Boys Like Boys“ von HBO auf. Im Jahr 2024 wurde er während seiner Teilnahme an der Nanjing Art Book Fair in China aufgrund seiner fotografischen Arbeit kurzzeitig festgenommen, was eine internationale Diskussion über queere Sichtbarkeit und künstlerische Freiheit auslöste.

Durch Fotografie und unabhängige Veröffentlichungen trägt Lin zu einer pluralistischen Erzählung queerer Existenz bei, die Selbstakzeptanz und Sichtbarkeit bekräftigt.

Hannah Cauhépé

“Hors-Jeu” is a French pun on the offside rule in football, literally “out of the game”, paired with a Turkish phrase meaning “queer people are everywhere.” This juxtaposition reflects the paradox at its core: queer communities in Turkey are systematically pushed to the margins, yet remain present across all social and geographic spaces.

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Hana Ibrahim

The project follows Betty, who lives between concealment and emergence, navigating a reality shaped by transition, fear, and survival. These objects do not appear as incidental props, but as carriers of meaning, material condensations of self-assurance, protection and inner orientation.

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Lindsay Perryman

TOPS explores the vulnerability inherent in processes of bodily and subjective transformation, focusing on individuals who have undergone top surgery. Through a combination of group and individual portraits, as well as interior settings, the work traces moments of transition in which identity is continuously unraveling and re-forming.

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Ciaran Inns

Is He Family? is a collaborative body of work created with Neil, the artist’s former drama teacher and now friend. The project takes its title from coded language once used within queer communities, where phrases such as “are they family?” functioned as signals of recognition, safety, and solidarity in contexts where openly queer existence carried risk.

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Alexandra Obochi

Held by Each other: Community care and Queer Survival in Nigeria reflects many different forms of holding each other, rooted in Nigeria but also transcending geographically and culturally constrained spaces. It speaks to a search for sanctuary, for closeness in distance and for a sense of family within diverse constellations, universal longings that take shape as different forms of a warm embrace.

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Ali Mahini

What has become of the people portrayed in Ali Mahini’s series Prince of Persia in the months since encountering the work, whether they are still alive, remains unknown. Nor do we know the current state of the park that served as their place of gathering. Concrete information from within and about Iran is, at present, scarcely accessible.

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Luca Gaetano Pira

We are deeply moved by Tania Navarro’s story, as well as by the strength, resilience and joy of life reflected in the eyes captured by Luca Gaetano Pira in his documentary series.

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Sergei Stroitelev

Sergei Stroitelev’s series is carried by cool, subdued tones and soft light. Interiors and carefully placed objects interact and become carriers of emotion. A sense of being held unfolds, located not only in interpersonal relationships but also in objects and letters that store and transmit memory.

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Bienyl Huelgas

Bienyl Huelgas shows a poetic visual language of mythic imagery and written thought, presenting the notion of holding each other not only between individuals but as a collective structure: a shared carrying of pain, memory and desire within a community that stabilizes itself.

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Léa Fiterman

In moments of crisis, censorship and systematic erasure, the need for support becomes all the more urgent. Léa Fiterman develops a precise yet poetic visual language in response, in which formal restraint and tactile interventions play a central role.

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Frances Marshall

Duet is an ongoing collaboration between the two artists Zac Thompson and JuJu rooted in film photography and performance, shaped by shared experiences of growing up in religious, evangelical environments.

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Zac Thompson and JuJu Lee

Searching for safe and welcoming spaces, sites that allow for free self-expression and enable lives beyond the margins, aligns not only with geo-political borders but often also across the divide between rural and urban contexts.

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林家夯 Lin jaihang

林家夯 Lin Jaihang shows a fragile interplay of familiarity, desire and care through gestures of physical closeness. His photographs are tender and playful, characterized by light, warmth, and intimacy. In a darkening present, they offer a perspective that reminds us of the possibility of beauty in closeness.

watch project »